As novel as the idea sounds, of recording Jim Jarmusch (sometimes great filmmaker and arbiter of hipster drone) jamming with Jozef van Wissem (cult lutist), their musical dialogues often transcend this conceit on The Mystery of Heaven, though their antecedents do it better and more naturally. Take Earth/Dead Man as a genre though, and you get to squeeze in good-era Growing and Loren Mazzacane Connors just because you feel like it. Derivative, but effective.
B-
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